P h o t o g r a p h y G e a r u s e d t o c r e a t e f i n e a r t

FUJIFILM GFX50S body

The FUJIFILM GFX 50S delivers the world's best image quality. It combines outstanding resolution of 51.4 megapixels with exceptional tones, advanced colour reproduction and high-performance lenses.

FUJIFILM GFX100 body

GFX100 pairs a back-illuminated 102MP imaging sensor with our blazingly fast X Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing color fidelity, rich shadow detail, and incredible dynamic range. Its back-illuminated structure enhances image quality by bringing the exposure plane closer to the color filter array. This minimizes noise levels from that typically experienced with mirrorless cameras and extends the native ISO to ISO 100. Sharpness is also enhanced, while moire and false colors are near eliminated through the omission of an optical low-pass filter. Lastly, the inclusion of a motion sensor retention mechanism suppresses even the slightest vibrations that may be caused by camera shake or the even the movement of the shutter.

FUJINON GF LENS kit

  1. FUJINON GF 23mm f/4 R LM WR wide lens.

  2. FUJINON GF 63mm f/2.8 R WR standard lens.

  3. FUJINON GF 32-64mm f/4 R LM WR standard zoom lens.

  4. FUJINON GF 45-100mm f/4 R LM OIS WR zoom lens.

  5. FUJINON GF 100-200mm f/5.6 R LM OIS WR standard zoom lens.

  6. FUJINON GF 120mmF4 R LM OIS WR Macro mid-telephoto macro lens.

  7. FUJINON GF 250mmF4 R LM OIS WR telephoto lens.

 

I m a g e s C a p t u r e d u s i n g v a r i o u s F u j i n o n G F L e n s e s

Captured with Fujinon GF 23mm f/4 R LM WR Lens.

Captured with the GF23mm

Using a wide angle lens was required when photographing the aurora in Iceland.

Captured with Fujinon GF 63mm f/2.8 R WR Lens.

captured with the

gf63mm

Once having decided on the perspective the 63mm f/2.8 was used to deliver uncompromising results.

Captured with Fujinon GF 32-64mm f/4 r LM WR Lens.

Captured with the

gf32-64mm

Using a wide angle zoom lens was versatile inside Antelope Canyon as each chamber presented both open and closed spaces.

captured with the

gf45-100mm

Capturing the exposed natural ochre earth, the 45-100mm lens provided versatile focal lengths for detailed close-ups and broader perspectives, akin to strategic choices for diverse landscapes on my website.

Captured with Fujinon GF 120mm f/4 Macro R LM OIS WR Lens.

Captured with the

gf120mm

The 120mm was used to provide mild compression whilst capturing the dunes at Zabriskie Point in Death Valley.

Captured with Fujinon GF 250mm f/4 R LM OIS WR Lens.

Captured with the

gf250mm

Achieving maximum compression was required shooting the many layers in the Grand Canyon, the ultimate choice was using the 250mm coupled with the GF 1.4x teleconverter.